Historia (Tsuge Gen'ichi):

Poema (translated by Tsuge Gen'ichi)

Chidori no Kyoku aparece en los siguientes álbumes

	Álbum	Artista
	All the Best from Japan
	Araki Kodo III and Fukuda Eika - Collection of Famous Performances - 01	Shakuhachi : Araki Kodō III
	Art of the Koto - Volume I	Koto : Yoshimura Nanae
	Challenging Eternity Disk 20	Shakuhachi : John Kaizan Neptune Voz : Yonekawa Toshiko II Koto : Yonekawa Toshiko II Voz : Fukami Satomi Koto : Fukami Satomi
	Evening Snow	Shakuhachi : Tani Senzan Koto : Tanaka Yōko
	Flute and Koto of Japan	Shamisen : Yonekawa Toshiko Shakuhachi : Yamaguchi Gorō
	Fujii Kunie Sokyoku Jiuta No Sekai 5
	Fukami Satomi - Sokyoku Jiuta Shu - 2	Koto : Fukunaga Chieko Voz : Fukami Satomi Koto : Fukami Satomi
	Ginyu	Shakuhachi : Gunnar Jinmei Linder
	Haru no Umi - Koto Meikyoku Sen - 2	Koto : Sawai Tadao Shakuhachi : Yamamoto Hōzan
	Hibiki - Tokyo Inter-arts In Berlin	Shakuhachi : Aoki Shunsuke Koto : Shigeta Emiko Koto : Satō Miyuki
This was originally a piece for Kokyu (a 3-stringed instrument found throughout Asia), and was arranged for koto by YOSHIZAWA Kengyo in 1855. It is amongst the most beautiful and most frequently played works of classical koto music. The piece can also be performed by a solo koto (the vocal part is taken by the koto player). The shakuhachi part has no independent function. Both text strophes, which have the form of the classical Japanese poem (waka) with 3 I syllables (5-7-5 + 7-7), are taken from different collections of poetry from the Heian-period (794-1185).
	Ikuta Ryu Sokyoku Senshu Volume 01 （上）	Koto : Kobashi Mikiko Voz : Miyagi Kazue Koto : Miyagi Kazue
	Ikuta-Ryū Sōkyoku Senshū - volume 7	Voz : Matsuo Keiko Koto : Matsuo Keiko Voz : Matsuo Kazuko Koto : Matsuo Kazuko
	Isaac Stern - The Classic Melodies of Japan	Shakuhachi : Yamamoto Hōzan
	Japan - Courtly Songs	Shakuhachi : Chida Etsuko
	Japan - Ensemble of Traditional Instruments of Japan	Shakuhachi : Ifuji Reizan
	Japanese Koto Music of Kimio Eto - Koto and Flute - Featuring the flute of Bud Shank, The	Koto : Etō Kimio
	Japanese Koto Music with Shamisen and Shakuhachi
(Music of Plovers) Composed by Yoshizawa Kengyo in the early 19th Century. Consists of four parts, the first part gives an impression of Gagaku followed by a classical poem which reads: The plovers which live Out on the shore Will chirp "Forever, the Court" The music in the third part is gay and refreshing. Then the second folk song type poem is sung: The Watchman at Suma Keeps dreaming all night Because he hears The crying of chidori. The voice of plovers is played by sliding the nail piece on the string, twice and twice again, before the music ends. The music is played by two kotos and four shakuhachis.
	Kikuhara Hatsuko Zenshu vol. 18	Voz : Kikuhara Hatsuko Koto : Kikuhara Hatsuko
	Kinko Ryū Shakuhachi Sankyoku Meikyoku Sen - Dai Ichi Shū - Vol 1	Voz : Uehara Masaki II Shakuhachi : Yamaguchi Gorō Koto : Ōtsuka Masae
	Kinko Shakuhachi Gaikyoku Anthology Volume 1 - First Level - tape 3	Shakuhachi : Kawase Junsuke III
	Kinko-Ryū Shakuhachi / Yamaguchi Gorō no Sankyoku (Yamada-Ryū Hen)	Shakuhachi : Yamaguchi Gorō Voz : Nakanoshima Keiko Koto : Nakanoshima Keiko
	Kodō Araki	Shakuhachi : Araki Kodō V Voz : Tani Sumi Koto : Tani Sumi
This melody was the very first melody I performed on stage, an event that took place in January, 1950, when I performed together with a group of lovely girls who were studying under Shojuku Kojima. It also was my debut piece on television. Later on, I joined another teacher, Shinki Sato, but I still cherish this song in my heart, and although well over twenty years have gone by since, I still wish that I could return to that state of innocence I was in back in those days. The piece was composed by Kengyo Yoshizawa of Nagoya, in Central Japan, in 1855. It is put together in three sections, a prelude, an interlude, and a finale, and the prelude is adopted from the KOKIN WAKA SHU, a collection of the 31-syllable Japanese poems both old and new, while the finale comes from the KINYO SHU collection.
	Koto Music of Japan
	Koto no Kyoshu Nihon no Merodi-shu	Koto : Yonekawa Toshiko Koto : Tsujimoto Chikatoyo Koto : Yonekawa Toshiko II Shakuhachi : Suginuma Sachio Koto : Yonekawa Megumi
	Koto no Miryoku - Disk 2	Koto : Yamauchi Kimiko
	Masterpieces of the Koto	Koto : Sawai Tadao Shakuhachi : Yamamoto Hōzan
	Melody of Japan - Brightness of Summer	Koto : Hanabusa Harue Koto : Miyakoshi Keiko Koto : Yui Ensemble
	Musique Traditionnelle du Japon	Voz : Nishimura Yayoi Koto : Nishimura Yayoi Shakuhachi : Kikusui Kofū
CHIDORI NO KOKYU. Pièce célèbre pour koto, cette composition peut être exécutée, comme c'est le cas ici, par l'ensemble chant, koto, shakuhachi. Chidori est le nom d'un oiseau familier des côtes japonaises. Le chant décrit la beauté de la nature au bord de la mer.
	Nihon no Shirabe - Sō-Shamisen-Shakuhachi ni yoru	Shakuhachi : Aoki Reibo II Koto : Fujita Chikasayo Koto : Satō Chikaki
	Ningen Kokuho Shirizu 5	Shakuhachi : Yamaguchi Gorō
	Rokudan	Koto : Miyagi Michio
	Rokudan Koto no Meikyoku	Koto : Kobashi Mikiko Voz : Miyagi Kazue Koto : Miyagi Kazue
	Rokudan no Shirabe - Koto Favorites	Koto : Nakashima Yasuko Voz : Okuda Masako
	Sankyoku Gassō Dai Zenshū (zoku) vol. 12 (続三曲合奏大全集12)	Shakuhachi : Mori Kozan Voz : Mishina Chiyoko Koto : Mishina Chiyoko Voz : Imai Tsutomu Koto : Imai Tsutomu
	Sankyoku Gassō Dai Zenshū vol. 1 (三曲合奏大全集１)	Shakuhachi : Aoki Reibo II Voz : Yamase Shōin III Koto : Yamase Shōin III Voz : Yamase Shōin II Koto : Yamase Shōin II
	Sankyoku Gassō Dai Zenshū vol. 1 (三曲合奏大全集１)	Shakuhachi : Kitahara Kōzan II Voz : Yamase Shōin III Koto : Yamase Shōin III Voz : Yamase Shōin II Koto : Yamase Shōin II
	Seiha Hogakkai Play Favorites 09 - Meiji Shinkyoku	Voz : Yuize Shin'ichi Koto : Yuize Shin'ichi Shakuhachi : Yamamoto Hōzan
	Shakuhachi - Chidori No Kyoku	Shakuhachi : Yamaguchi Gorō
	Shakuhachi - Yamaguchi Goro	Shakuhachi : Yamaguchi Gorō
	So - Japanese Traditional Music	Voz : Yonekawa Toshiko Koto : Yonekawa Toshiko Voz : Yonekawa Megumi Koto : Yonekawa Megumi
	Sō - Meikyoku no Shirabe (Koto music of Japan)	Koto : Kobashi Mikiko Voz : Miyagi Kazue Koto : Miyagi Kazue
	Sō no Shiori (Ikuta Ryū) vol 4	Koto : Fujii Kunie Voz : Satō Chikaki Koto : Satō Chikaki
	Sōkyoku - Koten Meikyoku Sen - Chidori no Kyoku/ Miyama Jishi/ Midare/ Shiki no	Voz : Matsuo Keiko Koto : Matsuo Keiko
	Sokyoku Jiuta	Voz : Yonekawa Toshiko Koto : Yonekawa Toshiko Koto : Yonekawa Toshiko II Koto : Yonekawa Megumi
	Sokyoku Jiuta Taikei 18	Voz : Tomizaki Shunshō Shamisen : Tomizaki Shunshō
	Sokyoku Jiuta Taikei 40	Koto : Mishina Masayasu Voz : Inogawa Koji Koto : Inogawa Koji
	Song of Daybreak	Shakuhachi : Gunnar Jinmei Linder Shakuhachi : Bruce Huebner
Chidori no Kyoku "Plovers" was originally composed for koto and voice by Kengyo Yoshizawa II (1800-1872). "Plovers" is one of the kokin gumi, a series of five pieces ("Spring", "Summer", "Fall", "Winter", and "Plovers") named after the Kokin Wakashu poetry collection from which their song texts are taken. Rather than use the usual format of koto and voice with added shakuhachi, we perform "Plovers" as a shakuhachi duet. Mr Linder plays the original koto line, composed sometime between 1831 and 37, while I play this unusual kaede obligato part written specifically for shakuhachi by Nomura Keikyu in 1925. Nomura was a figure in the prewar shakuhachi world, who lost his temper in an argument and stabbed a man to death. Because of this incident the "Plover" kaede and several other shakuhachi kaede for other koto pieces that he wrote, have been all but forgotten.
	Souvenir of Japan - Shakuhachi Fuhin	Shakuhachi : Tanaka Kōmei Shakuhachi : Yamaguchi Gorō
	The Flower - Yoko Hiraoka and David Wheeler	Shakuhachi : David Kansuke Wheeler Koto : Hiraoka Yoko
	The Shakuhachi and Its History	Koto : Yonekawa Toshiko Shakuhachi : Nōtomi Judō I
	The Shakuhachi and Its History	Koto : Matsuo Keiko Shakuhachi : Hoshida Ichizan I
	Tomiyama Seikin - So	Koto : Tomiyama Seikin I
	Tradition and Avantgarde in Japan	Voz : Tani Sumi Koto : Tani Sumi
This composition by Yoshizawa kengyo belongs to a group of works titled kokingumi. The title refers to song suites on waka texts, that is, brief poems of thirty-one syllables from the classical poetry anthology Kokin wakashu (tenth century). In Chidori no kyoku there are two waka. The first is by an anonymous poet; the second, by Minamoto no Kanemasa, and it is the only exception, having been taken from a later waka anthology, the Kin'yoshu (twelfth century). Both poems are about the chidori, the Japanese plover, a bird that lives at the sea with a piercing cry that sounds like chi-yo, chi-yo. They evoke associations with the Japanese word chiyo ("For thousands of generations!"), which is used to wish someone well. The first waka, which appears in Kokin wakashu in the section containing the "poems of well-wishing," alludes to this. The second waka, by contrast, is a "winter song." Minamoto no Kanemasa, one of the most famous waka poets of the early twelfth century, evokes the disconsolate loneliness that the watchman at the border post in the Bay of Suma (now in Kobe). Not far away Awaji Island rises from the sea. No one can be seen here during the winter. All that can be heard is the cries of the little chidori birds, and they emphatically announce the end of the night to the watchman. The musical allusions to gakuso court music are achieved primarily through the choice of the kokinjoshi tuning, whose structure (pentatonic without half-tone steps) is based on the banshiki-cho scale of gagaku court music. In formal terms the composition is like a tegotomono: the two song sections frame a longer tegoto (instrumental interlude). Chidori no kyoku Transliteration [Maebiki] (1) Shionoyama Sashide no iso ni sumu chidori [Ai] Kimi ga miyo woba ya-chiyo tozo naku [Ai] Kimi ga miyo woba ya-chiyo tozo naku [Tegoto] (2) Awajishima kayo chidori no naku koe ni [Ai] Ikuyo nezamenu Suma no sekimori [Ai] Ikuyo nezamenu Suma no sekimori [Atobiki] Song of the Plovers Translation [Prelude] -1- (1) On Shio Mountain, on the cliffs of Sashide, which jut into the sea, the plovers nest: [Brief instrumental interlude] May the emperor's illustrious life last eight thousand generations, they cry! [Brief instrumental interlude] May the emperor's illustrious life last eight thousand generations, they cry! [Long instrumental interlude] -2- (2) On Awaji Island the plovers fly back and forth their piercing cries: [Brief instrumental interlude] How many nights have they awakened the watchman at border post of Suma! [Brief instrumental interlude] How many nights have they awakened the watchman at border post of Suma! [Postlude] -1- Imitation of the gestures of the gakuso zither used in court music creates a festive atmosphere for the song of good wishes that follows. -2- In the first half of this tegoto section, performed at a more rapid tempo, the gestures are intended to symbolize the sound of the waves; in the second half, the call of the plovers.
	Traditional Music of Japan	Koto : Fujita Toshi Shakuhachi : Ifuji Reizan Koto : Yoshikawa Tomiko Koto : Haga Mikiko
	Uehara Masaki	Koto : Uehara Masaki II
	Yamada - 04	Voz : Uehara Masaki II Koto : Uehara Masaki II Shakuhachi : Yamaguchi Gorō
	Yamada-Ryū Koto no Kagami	Shakuhachi : Shimabara Hanzan Koto : Hagioka Shōin III Voz : Shigenegawa Mihagi
	Yamaguchi Goro no Sekai	Shakuhachi : Tanaka Kōmei Shakuhachi : Yamaguchi Gorō