Литература - Международное Общество Сякухати

Литература

Essays and books related to traditional Japanese instruments and music.

Название	Кандзи	Автор/Редактор	Издатель	Year	Страницы	Язык
A Biography of Tanaka Yûdô		Dr. Norman Yūshin Stanfield			7	English
A Brief Examination of the Musical Scales of Okinawa. In Asian Musics in an Asian Perspective, edited by Koizumi Fumio, Tokumaru Yoshihiko and Yamaguchi Osamu		Takami Tomoko	Tokyo: Heibonsha	1977	86-89
A Guide to Musicality (Gaku ri no tebiki)	楽理の手引	Fujii Ryūzan	Tozan-Ryū	1925		Japanese
A History of Japanese Koto Music and Ziuta with Two CDs. Translated by Leonard C. Holvik		Kikkawa Eishi	Tokyo: Mita Press	1997
A Selective Study of Honte-Kaete Tegoto-mono in Nineteeth Century Japanese Koto Music		Bonnie C Wade	Master of Arts, University of California, Los Angeles	1967
A Study of Yamada-Ryû Sôkyoku and its Repertoire (Part 1 of 2)		Cathleen B Read		1975	209	English
A Study of Yamada-Ryû Sôkyoku and its Repertoire (Part 2 of 2)		Cathleen B Read		1975	218	English
Acoustical Investigation of the Japanese Bamboo Pipe, Syakuhati		Terada Torahiko	Journal of the College of Science, Imperial University, Tokyo 21 Article 10	1907	1-37
Acoustical Investigations of Some Japanese Musical Instruments: Part I. The Syakuhati, A Japanese Wind Instrument. (With Yasuyo Ozawa)		Obata Juichi	Proceedings of the Physico-Mathematical Society of Japan 12, no. 11	1930	12:285-299
Ajikan to Nyozan. Kyochiku		Tominomori Kyozan	Kyoto: Myoan Kyozan Bodo Yukai, (1969-1970?)
An Antholology of Jiuta Poetry. Compiled and edited by Henry Burnett. Translations by John Tedford.		Henry Horaku Burnett		1984	46	English
An Interview with Yokoyama Katsuya		Tokumaru Yoshihiko	Contemporary Music Review 8, no. 2	1994	53-76
An Introduction to the History and Aesthetics of Japanese Jiuta-Tegotomono		Henry Horaku Burnett	Asian Music 11, no. 2	1980	11-29
An Introductory Guidance to the Research of the Shamisen		Kikkawa Eishi	Toyo Ongaku Kenkyu 14-15	1958	52-67
Annals of the International Shakuhachi Society. Vol. 1. (Edited)		Dan E Mayers	Sussex, England: International Shakuhachi Society	1990
Anthology of Sokyoku and Jiuta Texts. (Edited with Anthony H. Chambers)		Tsuge Gen'ichi	Tokyo: Academia Music	1983	120	English
Are kore		Tominomori Kyozan	Nihon Ongaku (?): 15 articles
Art and Music in teh Zen Tradition: Some Analogies		Gregg W Howard	Queensland Conservatorium of Music Griffith University	1992	16	English
Article about Jinbo Masanosuke					22	Japanese
Asahi Falls--Mendicant Shakuhachi Monks and the Izu Peninsula		Christopher Yohmei Blasdel	On website www.yohmei.com	2015	10	English
Asian Musics in an Asian Perspective. (Edited with Yoshihiko Tokumaru and Osamu Yamaguchi)		Koizumi Fumio	Tokyo: Heibonsha	1977
Bamboo and Music: A New Approach to Organology		Theodore C Grame	Ethnomusicology 6, no. 1	1962	8-14
Bell Ringing in an Empty Sky. Dissertation for Bachelor of Arts Houours Degree.		Bernadette Wilkins		1992	90	English
Blowing Shakuhachi		Monty Levenson	Kyoto Journal 12	1989	31-38
Blowing Zen: Aspects of Performance Practices of the Chikuho Ryu Honkyoku		Riley Kōho Lee	Master of Arts, University of Hawaii	1986	342	English
Book. Undetermined. [History of the Araki Family]					80	Japanese
Coming to Terms: (Futaiken) Reibo		Hilary Tann	Perspectives in New Music 27, no. 2	1989	52-76
Comparison of Tozanryu and Kinkoryu Shakuhachi Arrangements for Sankyoku Gasso Made from Identical Originals		Ingrid Fritsch	Yearbook of Traditional Music 15	1983	14-30
Composing for Japanese Instruments (translated by Marty Regan; edited by Philip Flavin)		Miki Minoru	University of Rochester Press	2008	256	English
Concerning Minezaki Koto, Toyoga Kengyo and Tsuyama Kengyo: Notes on Visits to Musicians' Graves		Kubota Toshiko	Toyo Ongaku Kenkyu 51	1987	20-23
Concerning the Names of Koto Tunings [Koto no chogen meisho o megutte]		Hirano Kenji	Toyo Ongaku kenkyu 54	1989	20-27
Confluence of Spiritual and Aesthetic Research in Traditional Japanese Music		Tamba Akira	World of Music 25, no. 1	1983	30-41
Contemporary Notation for the Shakuhachi: A Primer for Composers		Jeffrey Nyofu Lependorf	Perspectives in New Music 27, no. 2	1989	20, 232-251	English
Daiyonkai Yokoyama Katsuya shakuhachi risaitaru [Yokoyama Katsuya's Fourth Shakuhachi Recital]		Yokoyama Katsuya	Tokyo: Yokoyama Katsuya	1972
Die Flote Shakuhachi : Von Bettlern zu Monchen zu Musikern [The Shakuhachi Flute: From Beggars to Monks to Musicians]. In Musik in Japan: Aufsatze zu Aspekten der Musik im heutigen Japan, edited by Silvain Guignard		Andreas Fuyu Gutzwiller	Munchen: Ludicium Verlag	1996	47-57
Die Shakuhachi der Kinko-Schule [Shakuhachi of the Kinko School]		Andreas Fuyu Gutzwiller	Basel: Barrenreiter Kassel	1983
Die Solo-Honkyoku der Tozan-Schule : Musik fur Shakuhachi zwischen Tradition und Moderne Japans [Solo Honkyoku of the Tozan School: Music for Shakuhachi and the Conflicting Claims of Tradition and Modernity in Japan]. Edited by Robert Gunther. Vol. 4, Studien zur traditionellen Musik Japans.		Ingrid Fritsch	Kassel: Barenreiter	1979
Distant Calls of Deer: An Invitation to the World of Classical Syakuhati Honkyoku. In Tradition and Its Future: Report of SIMS 1990 Osaka, edited by et al Yoshiko Tokumaru. Syakuhati Kenkyukai.			Osaka, Japan: Mita Press	1991	640-645
Doyuzuiho. Vol 1 (Edited)			Tokyo: Suisho Wagaku Zenkai	1971
Doyuzuiho. Vol 2 (Edited)			Tokyo: Suisho Wagaku Zenkai	1972
Early Seventeenth Century Ascetic Shakuhachi Ideology. The Kaido Honsoku. A Komoso's Fuke Shakuhachi Credo. Dated 1628. M.A. thesis in Japanology. Also published on CD-rom by Tai Hei Shakuhachi, Willits, CA, 2003.		Torsten Olafsson	University of Copenhagen	1988	146	English
From Handbell to Shakuhachi		Sunim Sumu	Spring Wind 5, no. 3	1985	13	English
Fron Fuke Shu to Uduboo: Zen and the Transnational Flow of the Shakuhachi Tradition to the West. University of Hawai'i Master of Arts in Music Thesis.		Steven Kōchiku Casano		2001	169	English
Fu Ho U vs. Do Re Mi: The Technology of Notation Systems and Implications of Change in the Shakuhachi Tradition of Japan		Riley Kōho Lee	Asian Music 19, no. 2	1988	71-81
Fuke shakuhachi no kakusan to koryu [Dissemination and Interchange of the Fuke Shakuahchi]. In Iwanami koza: Nihon no ongaku, Ajia no ongaku [Iwanami Series: Music of Japan, Music of Asia]		Tsukitani Tsuneko	Tokyo: Iwanami Shoten	1988	33-55
Fuke shakuhachi no nyorai		Omura Kijo			54-68
Fuke shu shoshi [A Short History of the Fuke Sect]		Takahashi Kûzan	Tokyo: Ongaku Kenkyukai	1971
Fuke zenshu to dosho ni tsuite		Okamoto Chikugai	Nihon Ongaku		6-16
Fukeseishu myoan shakuhachi zen. (Edited)		Fukumoto Kyoan	Vol. 2. Kyoto: Haizuka Insatsu	1974
Fukeshu ni tsuite [About the Fuke Sect]		Mikami Sanji	Shigaku zasshi 13, no. 4	1902	61-76
Fukeshu ni tsukite [About the Fuke Sect]		Mikami Sanji	Shigaku zasshi 13, no. 5	1902	64- 82
Fukeshu shakuhachi to genryuha		Takahashi Kûzan	Nihon Ongaku		5
Fukeshu shi : sono shakuhachi soho no gakuri [History of the Fuke Sect: Principles of Playing Its Shakuhachi]		Takahashi Kûzan	Tokyo: Fuke Shushi Kankokai	1979
Further Studies on the Acoustical Properties of the Japanese Wind Instrument, Syakuhati. (With Takehiko Teshima)		Obata Juichi	Proceedings of the Physico-Mathematical Society of Japan 15, no. 3	1933	125-134
Gaikokujin kara mita hogaku no miryoku [The Fascination of Classical Japanese Music as Viewed by Non-Japanese]		Tsuge Gen'ichi	Kikan Hogaku 75	1993	73-82
Glossary of Commonly Used Terms		Henry Horaku Burnett	Perspectives in New Music 27, no. 2	1989	48-51
Higuchi Taizan Legacy Notations (Higuchi Taizan noko fu)	樋口対山遺譜	Inagaki Ihaku	Meian Temple Restorer - Kyoto	1976	301	Japanese
History of Hanamaki Chikurinzan Shoganken		Kamada Tsuguyoshi			23	Japanese
Hogaku e no shotai [Invitation to Traditional Japanese Music]. (Edited)		Kikkawa Eishi	Tokyo: Hobunkan Shuppan	1978
Hogaku kansho nyumon [Introductory Guide to the Appreciation of Japanese Classical Music]		Kikkawa Eishi	Osaka: Sogensha	1959
Hogaku. 1983-1989 (Edited)		Henry Horaku Burnett	New York: Traditional Japanese Music Society	1983
Hogaku: 1. The Dual Personality of Jiuta: Sobriety and Humor. 2. Analysis of the Yamada-ryu Sokyoku Iemoto System. 3. The Evolution of Shamisen Tegotomono. 4. A guide to the Basic Literature and Records for Research in Jiuta and Sokyoku. 5. Anatomy of a Japanese Festival: The Great Midwinter Wakanomiya On-Matsuri. 6. Record Reviews. Editor: Henry Burnett.			The Traditional Japanese Music Society		65	English
Hotto Kokushi Densetsuko. In Zenshu no shomondai [Various Questions Concerning the Zen Sects], edited by Aishin Imaeda		Imai Masaharu	Tokyo: Yuzankaku	1979	123-150
Ichion Jobutsu [One Sound, Buddhahood] .. Tokyo: Komuso Kenkyukai
Iemoto monogatari [Stories of the Iemoto]		Nishiyama Matsunosuke	Tokyo	1971
Iemoto no kenkyu [Iemoto Research]		Nishiyama Matsunosuke	Tokyo: Yoshikawa Kobunkan	1982
Iemotosei no tenkai [Development of the Iemoto System]		Nishiyama Matsunosuke	Tokyo: Yoshikawa Kobunkan	1982
In the Space Between Research on Medieval Japanese Literature and Music Research		Iso Mizue	Toyo Ongaku Kenkyu 51	1987	12-15
In yo [Yin Yang]		Takahashi Kûzan	Nihon Ongaku		4
Introduction to Shamisen Kumiuta, Source Materials and Studies in Ethnomusicology		Willem Adriaansz	Buren, The Netherlands: Frits Knuf B.V	1978
Issetsu sai shakuhachi no shiso : shu hidari roo no uta			Nihon Ongaku		4
Japan's Musical Tradition: Hogaku from Prehistory to the Present		Yoshikami Miyuki	McFarland	2020	251	English
Japanese Music		Sunaga Katsumi	Tokyo: Maruzen	1936
Japanese Music and Drama in the Meiji Era. Translated by Edward Seidensticker and Donald Keene		Komiya Toyohashi	Tokyo: Obunsha	1956
Japanese Music and Musical Instruments		William P Malm	Tokyo: Charles E. Tuttle	1959
Japanese Music: An Annotated Bibliography. Edited by Fredric Lieberman, Garland Bibliographies on Ethnomusicology		Tsuge Gen'ichi	New York: Garland Publishing	1986
Jiuta Shamisen Tunings: A Study of its History and Development		Tsuda Michiko	Toyo Ongaku Kenkyu 34-37	1974	124-84 (sic)	English
Ju wari, kyuhen wari		Takahashi Kûzan	Nihon Ongaku		6-7
Kikan Hogaku [Traditional Japanese Music Quarterly]. 1974-1994			Tokyo: Hogakusha	1974
Kinko Techo (Notebook of Kinko). Tsukamoto Kodō - Editor		Tsukamoto Kodō	Meianji Document Collection		91	Japanese
Kinko-ryu Shakuhachi Honkyoku		Araki Kodō V	Master of Arts, Wesleyan University	1971	81	English
Kinkoryu shakuhachi shikan [Historical Views on the Kinkoryu Shakuhachi]		Nakatsuka Chikuzen	Tokyo: Nihon Ongakusha	1979
Kinpu ryu shakuhachi honkyoku den. In Kinpu ryu shakuhachi honkyoku den		Uchiyama Reigetsu	Hirosaki: Uchiyama Reigetsu	1972	1-17
Kinpu-ryu Shakuhachi Honkyoku-den / Uchiyama Reigetsu		Nick Hoko Bellando		2017	273	English
Komu suidan		Tominomori Kyozan	Tokyo: Myoan Kyozanbo Doyukai	1976
Komuso : fukeshu reihoji no kenkyu [ Komuso : Research on the Fuke Sect Temple Reihojij		Yamashita Yajūrō	Tokyo: Tama Kyodo Kenkyu no Kai	1972
Komuso : sei to zoku no igyoshatachi [Komuso : Strange Characters as Saints and Sinners]		Takeda Kyoson	Tokyo: San'ichi Shobo	1997
Komuso shakuhachi : dai nigashi ku no kokawayanagi			Nihon Ongaku		19
Komuso shakuhachi shinan [Teachings of the Komuso Shakuhachi]		Toya Deiko	Tokyo: Toritsugimoto Komuso Kenkyukai	1984
Komuso Tani Kyochiku [The Komuso Priest Tani Kyochiku]. (Edited)		Inagaki Ihaku	Tokyo: Komuso Kenkyukai	1985
Komuso. In Iemotosei no tenkai		Nishiyama Matsunosuke	Tokyo: Yoshikawa Kobunkan	1982	134-153
Koten Honkyoku Josetsu [Introduction to Classical Honkyoku]. In Descriptive notes for Suizen : Chikuho ryu ni miru fuke shakuhachi no keifu [Blowing Zen: the Fuke Shakuhachi Lineage According to the Chikuho School]		Tsukitani Tsuneko	Tokyo: Nippon Columbia	1974	KX 7001-3,23-25
Kumiuta and Danmono Traditions of Japanese Koto Music		Willem Adriaansz	University of California Press	1973	493	English
Kumiuta: Traditional Songs for Certificates, A Study of their Texts and Implications,Swiss Asian Studies		Peter Ackermann	Bern: Peter Lang	1990
Kyomono: A Traditional Japanese Music		William Edward Feltz	Master of Arts, University of Hawaii	1970	169	English
Kyotaku denki : shakuhachi no yurai zoho chushaku. (Edited)		Kawamoto Itsudō I	Tokyo: Gakubundo Zohan
La Theorie et L'esthetique Musicale Japonaises : Du 8e au 19e Siecle [Japanese Music Theory and Musical Aesthetics from the 8th to the 19th Century]		Tamba Akira	Paris: Publications Orientalistes De France	1988
Means of Preservation and Diffusion of Traditional Music in Japan		Kishibe Shigeo	Asian Music 2, no. 1	1971	8-13
Meian San Ju Nana Sei Tanikita Muchiku Shu		Toya Deiko			181	Japanese
Meiji jidai no shakuhachi monogatari		Hojo Itcho II	Nihon Ongaku		6-7
Midare : A Study of its Historic Development. In Nihon ongaku to sono shuhen, edited by Fumio Koizumi, Akira Hoshi and Osamu Yamaguchi		Willem Adriaansz	Tokyo: Ongaku no Tomosha	1973	9-54
Minezaki Koto's Zangetsu: An Analysis of a Traditional Japanese Chamber Music Composition		Henry Horaku Burnett	Perspectives in New Music 27, no. 2	1989	78-117
Miyagi Michio sakuhin kaisetsu zensho [Explanatory Complete Collection of Miyagi Michio Compositions]. (Edited with Eishi Kikkawa)		Kamisangō Yūkō	Tokyo: Hogakusha	1979
Music and Tradition of the Edo Period		Willem Adriaansz	World of Music 20, no. 2	1978	69-73
Musical Scales in Japanese Music. In Asian Musics in an Asian Perspective, (Edited with Yoshihiko Tokumaru and Osamu Yamaguchi)		Koizumi Fumio	Tokyo: Heibonsha	1977	73-79
Musico-religious Implications of Some Buddhist Views of Sound and Music in the Surangama Sutra		Gregg W Howard	Musica Asiatica 6	1991	95-101
Musik in Japan: Aufsatze zu Aspekten der Musik im heutigen Japan [Music in Japan: Essays on Aspects of Music in Today's Japan]. (Edited)		Silvain Guignard	Munchen: Ludicium Verlag	1996
Myoan shakuhachi oko raikon ryakuki [A Brief Account of the Myoan Shakuhachi from Ancient Past to the Present]		Tominomori Kyozan	Tokyo: Myoan Suisho Wagaku Zenkai
Myoan shakuhachi tsukai [Myoan Shakuhachi Commentary]		Tominomori Kyozan	Tokyo: Myoan Kyozanbo Doyukai	1979
Myoanji shoden koten honkyoku yosetsu [Outline of the Classical Honkyoku of Myoanji]			Kyoto: Myoan Doshukai	1972
Nihon no onkai [Musical Scales of Japan]. 12 vols, Toyo Ongaku Sensho 9. (Edited Toyo Ongaku Gakkai [Asian Music Research Society])			Tokyo: Ongaku no Tomosha	1982
Nihon ongaku : rekishi to riron [Japanese Music: History and Theory]. (Edited)		Kishibe Shigeo	Tokyo: Kokuritsu Gekijo Jigyobu	1974
Nihon ongaku no onkai to senpo [Scales and Modes of Japanese Music]. In Nihon no Onkai, edited by Toyo Ongaku Gakkai		Koizumi Fumio	Tokyo: Ongaku no Tomosha	1982	51-81
Nihon ongaku to sono shuhen : Kikkawa Eishi sensei kanreki kinen ronbunshu [Japanese Music and Related Issues: Essays in Commemoration of the Professor Kikkawa Eishi's Sixtieth Birthday]. (Edited with Akira Hoshi and Osamu Yamaguchi)		Koizumi Fumio	Tokyo: Ongaku no Tomosha	1973
Nippon ongaku no rekishi to kansho [Music in Japan: History and Appreciation]		Hoshi Akira	Tokyo: Ongaku No Tomosha	1971
Notes on Keiko Nosaka and the 20-Stringed Koto: Tradition and Modernization in Japanese Music		Bonnie C Wade		1994	4	English
Observing the Sound		Preston L Houser	Kyoto Journal 28	1994	35-41
On Syakuhati		Terada Torahiko	Proceedings of the Tokyo Mathematico-Physical Society 3, no. 4	1906	83-87
On the Religious in Music: Zen and the Shakuhachi. In Sound and Reason: Music and Essays in Honour of Gordon D. Spearritt, edited by Warren A Bebbington and Royston Gustavson		Gregg W Howard	Brisbane, Australia: Faculty of Music, University of Queensland	1992	17, 29-37	English
Ondekoza de fuku [Playing with Ondekoza]		Riley Kōho Lee	Kikan Hogaku 8	1976	92-97
Ontology of Transmission; the Nature of the Reality of Honkyoku Transmission.					23	English
Oral and Literate Aspects of Tradition Transmission in Japanese Music: With Emphasis on Syoga and Hakase. In The Oral and the Literate in Music, edited by Yoshihiko Tokumaru and Osamu Yamaguchi		Kamisangō Yūkō	Tokyo: Academia Music	1986	288-299
Personalities in the World of Meian Shakuhachi. An Anthology of the Gen'un School of Meian Shakuhachi. Compiled by Kamida...			Tokyo	1981	73	Japanese
Place of Tradition in the Music Culture of Japan. In Tradition in den Musikkulturen : heute und morgen: Bericht uber die wissenschaftliche Konferenz des Internationalen Musikrates 2. bis 4. Oktober 1985 in Berlin		Fukushima Kazuo Ishibashi	Leipzig: VEB Deutscher Verlag fur Musik	1985	102-107
Playing techniques on the shakuhachi: somatic organs and their controls in relation to the instrument.		Simura Satosi	Kuckertz Seminar, Osaka	1988	14	English
Playing with "The Breath that Keeps You Alive"		John Kaizan Neptune	The Kyoto Diary Vol. 6 No. 3	2001	13 - 16	English
Recent Recordings of Japanese Music: A Record Review Essay		William P Malm	Ethnomusicology 11, no. 1	1967	97-106
Reflections of a Trans-cultural Musician		Elliot Weisgarber	Numus West 2	1972	23-25
Reflections on the Aesthetic Background of the Performing Arts of East Asia		A. C. Scott	Asian Music 6, no. 1-2	1975	207-216
Review of A History of Japanese Music by Eta Harich-Schneider		Elliot Weisgarber	Public Affairs 49, no. 1:		142-143
Review of Anthology of Sokyoku and Jiuta Song Texts by Gen'ichi Tsuge		Mitani Yoko	Ethonomusicology 30, no. 2	1986	357-359
Review of Bamboo Textures: Works for Shakuhachi by John Kaizan Neptune		Andreas Fuyu Gutzwiller	World of Music 25, no. 2	1983	80-81
Review of Der wahre Geist der Leere by Andreas Fuyu Gutzwiller		Ingrid Fritsch	World of Music 27, no. 1	1985	98-99
Review of Der Wahre Geist Der Leere performed by Andreas Fuyu Gutzwiller		Ralph Samuelson	Asian Music 16, no. 2	1985	198-200
Review of Der wahre Geist der Leere performed by Andreas Fuyu Gutzwiller, Japanese Music for Two Shakuhachi performed by Riley Kelly Lee and Ralph Samuelson, and Standing Waves: Zen Shakuhachi Meditations performed by Torsten Olafsson. Ethnomusicology 3		David Fish		1986	540-543
Review of Die Shakuhachi der Kinko-schule by Andreas Gutzwiller		Ingrid Fritsch	World of Music 26, no. 2	1984	106-108
Review of Die Shakuhachi der Kinko-Schule by Andreas Gutzwiller. (With Gerald Groemer)		Riley Kōho Lee	Ethnomusicology 30, no. 2	1986	353-355
Review of Japanese Music and Musical Instruments by William P. Malm		Theodore Hoffman	Journal of Asian Studies 19, no. 3	1960	354-355
Review of Japanese Music for Two Shakuhachi Performed and Annotated by Riley Lee and Ralph Samuelson		Donald Paul Berger	Asian Music 18, no. 1	1986	212-213
Review of Koto Music of Japan performed by Hagiwara, Hatta, Kitagawa, Kikusui, Mineuchi, and Yamaguchi, Japanese Koto Classics performed by Yuize, and Koto performed by Yamada and Sato		Willem Adriaansz	Ethnomusicology 12, no. 2	1968	308-310
Review of Tegotomono: Music for the Japanese Koto by Bonnie C. Wade		Cathleen B Read	Asian Music 10, no. 1	1978	138-140
Review of The Shakuhachi: A Manual For Learning by Christopher Yohmei Blasdel and Yuko Kamisango		Donald Paul Berger	Asian Music 21, no. 1	1989	177-179
Review of The Shakuhachi: A Manual For Learning by Christopher Yohmei Blasdel and Yuko Kamisango		Riley Kōho Lee	Ethnomusicology 34, no. 1	1990	179-181
Review of The Shakuhachi: A Manual For Learning by Christopher Yohmei Blasdel and Yuko Kamisango		John Singer	Notes 47, no. 2	1990	397-398
Rhythm in Shakuhachi Honkyoku. In European Studies in Ethnomusicology: Historical Developments and Recent Trends, edited by Max Peter Baumann, Artur Simon and Ulrich Wegner		Andreas Fuyu Gutzwiller	Wilhelmshaven, Germany: F. Noetzel	1990	269-281
Ritual Music in Japanese Esoteric Buddhism: Shingon Shomyo		Jackson Hill	Ethnomusicology 26, no. 1	1982	27-39
Sankyoku gasso ni okeru shakuhachi no yakuwari [The Role of the Shakuhachi in Sankyoku Performance]. In Nihon ongaku to sono shuhen: Kikkawa Eishi sensei kanreki kinen ronbunshu, edited by Fumio Koizumi, Akira Hoshi and Osamu Yamaguchi		Kamisangō Yūkō	Tokyo: Ongaku no Tomosha	1973	53-98
Sankyoku Magazine and the Invention of the Shakuhachi as Religious Instrument in Early 20th-Century Japan https://elischolar.library.yale.edu/yjmr/vol7/iss1/2/		Matt Gillan	Yale Journal of Music & Religion	2021	31	English
Sankyoku. 1921-1944				1921
Selections of Potential Playing Techniques on the Syakuhati: Changes of Stylistic Needs Through Periods. In Music Cultures in Interaction: Cases Between Asia & Europe, edited by Usaburo Mabuchi and Osamu Yamaguchi		Simura Zenpo	Tokyo: Academia Music	1994	156-167
Shakuhachi - An Introduction to the Art, Culture, and Religion of the Japanese Bamboo Flute		Robert Grous		1980	235	English
Shakuhachi 1969		Hirose Ryōhei	Tokyo: Nippon Crown	1969	LP Sound Disc
Shakuhachi : chishiki to soho [Shakuhachi : Know-how and Performance]		Nakajima Seizan	Tokyo: Gyosei	1988
Shakuhachi : Orthodoxy & Heresy		Monty Levenson	Kyoto Journal 32	1996	12-14
Shakuhachi : sankyoku no sekai		Saitō Eizaburō	Tokyo: Hyuman Dokyumentosha	1988
Shakuhachi choritsu dan [Conversation about Shakuhachi Tuning]		Fujita Shun'ichi	Nihon Ongaku		8-9
Shakuhachi Construction: One Maker's Approach. Master's Thesis		Kudo Takeo	University of Hawaii	1977	133	English
Shakuhachi gaku : rekishi to tokushitsu [Shakuhachi : History and Characteristics]. In descriptive notes for LP album Shakuhachi 1969 (SWS 3) by Hirose Ryohei		Tsukitani Tsuneko	Nippon Crown	1969	16-23
Shakuhachi gaku no miryoku [Fascination with Shakuhachi Music]		Yokoyama Katsuya	Tokyo: Kodansha	1984
Shakuhachi gaku ryakushi: suizen no rikai no tame ni [An Abbreviated History of the Shakuhachi : Toward an Understanding of Blowing Zen]. - In Suizen : Chikuho ryu ni mirufuke shakuhachi no keifu [Blowing Zen: the Fuke Shakuhachi Lineage According to the Chukuho School].		Kamisangō Yūkō	Tokyo: Nippon Columbia	1974	KX 7001-3, 9-22
Shakuhachi Honkyoku Notation: Written Sources in an Oral Tradition		Riley Kōho Lee	Musica Asiatica 6	1991	18-35
Shakuhachi honkyoku to gaikyoku. In Hogaku e no shotai [Invitation to Traditional Japanese Music], edited by Eishi Kikkawa		Kikkawa Eishi	Tokyo: Hobunkan Shuppan	1978	74
Shakuhachi honkyoku to kokan shakuhachi aikosararete Uramoto Setcho sensei [Master Uramoto Setcho Who Loved Shakuhachi Honkyoku and Old Shakuhachi Instruments]. (Edited)		Inagaki Ihaku	Tokyo: Komuso Kenkyukai	1985	394	Japanese
Shakuhachi honryu myoan suishō kikai. (With Tominomori Kyozan = Kyozan Koji)	尺八本流明暗吹簫法基階	Kobayashi Jido Shizan	Tokyo: Oya Shobo	1930	141	Japanese
Shakuhachi kinko ryu daidai [The Generations ofthe Kinko School of Shakuhachi]			Nihon Ongaku		4
Shakuhachi koten honkyoku no densho kosatsu : repatori no keisei to henyo [Transmission of the Classical Shakuhachi Honkyoku : Formation and Change in the Repertoire]. - In Shominzoku no oto "Koizumi Fumio tsuito ronbunshu [Sounds of Various Peoples : Memorial Essays for the Late Professor Koizumi Fumio].		Tsukitani Tsuneko	Tokyo: Ongaku no Tomosha	1986	279-303
Shakuhachi koten honkyoku no kenkyu : koseiho ni tsuite [A Constructive Analysis of Shakuhachi Koten Honkyoku]		Tsukitani Tsuneko	Ongakugaku 15, no. 1	1969	43-52
Shakuhachi koten ni okeru domei ikyoku no mondai [On the Problem of Different Compositions with the Same Title in Classical Shakuhachi Honkyoku]. In Nihon ongaku to sono shuhen, edited by Fumio Koizumi, Akira Hoshi and Osamu Yamaguchi		Tsukitani Tsuneko	Tokyo: Ongaku no Tomosha	1973	225-250
Shakuhachi Minyo Shu [Anthology of Folk Songs for Shakuhachi]. 1978-1981 (Edited)		Ishitaka Kinpū	Tokyo: Kyogakusha	1978	Vol. 1-3
Shakuhachi Music of the Kinko School: Techniques and Melodic Embellishment		Richard Hamilton Keeling	Master of Arts, University of California, Los Angeles	1975	211	English
Shakuhachi Nihon Minyo Shu - Score Collection Book 1 of 3	尺八日本民謡集				132	Japanese
Shakuhachi Nihon Minyo Shu - Score Collection Book 2 of 3	尺八日本民謡集				98	Japanese
Shakuhachi Nihon Minyo Shu - Score Collection Book 3 of 3	尺八日本民謡集				102	Japanese
Shakuhachi no honkyoku to gaikyoku		Fujita Shun'ichi	Nihon Ongaku		6-7
Shakuhachi no rekishi [A History of Shakuhachi]. In Hogaku Taikei (Volume 4), edited by Shigeo Kishibe, Yasuburo Ikeda and Masakatsu Gunji		Kamisangō Yūkō	Tokyo: Kikuma Shobo	1971	7-16
Shakuhachi no rekishi [History of the Shakuhachi]		Fujita Shun'ichi	Nihon Ongaku 26?, no. 3? 1970?		6
Shakuhachi no ru no okuri to, nayashi okuri fu		Fujita Shun'ichi	Nihon Ongaku		11
Shakuhachi no ryohi ni kansuru chishiki		Miura Kindō	Nihon Ongaku		6-7
Shakuhachi no shurui to rekishi [Types and History of the Shakuhachi]		Tsukitani Tsuneko	Kikan Hogaku 5	1975	13-19
Shakuhachi odessei [Shakuhachi Odyssey]		Christopher Yohmei Blasdel	Bungei Spring	2000	336-360
Shakuhachi of the Fuke-Sect: Instrument of Zen		Andreas Fuyu Gutzwiller	World of Music 26, no. 3. Pages 53-65	1984	9	English
Shakuhachi on no tankyu		Fujita Shun'ichi	Nihon Ongaku		7-8
Shakuhachi oto no kenkyu : issho o takusuru		Fujita Shun'ichi	Nihon Ongaku		8-9
Shakuhachi oto no kenkyu : keana on shiken		Fujita Shun'ichi	Nihon Ongaku		14-15
Shakuhachi oto no kenkyu : meri kari no koto		Fujita Shun'ichi	Nihon Ongaku		13-14
Shakuhachi oto no kenkyu : seikan choritsu no ..		Fujita Shun'ichi	Nihon Ongaku		5-6
Shakuhachi oto no kenkyu : seikan choritsu no hoho		Fujita Shun'ichi	Nihon Ongaku		13-14
Shakuhachi oto no kenkyu : shakuhachi choritsu		Fujita Shun'ichi	Nihon Ongaku		9-10
Shakuhachi oto no kenkyu : shakuhachi choritsu no kotsu		Fujita Shun'ichi	Nihon Ongaku		10-11
Shakuhachi oto no kenkyu : shakuhachi kan nai ..		Fujita Shun'ichi	Nihon Ongaku		9-10
Shakuhachi oto no kenkyu : shakuhachi on onritsu no waridashi ho		Fujita Shun'ichi	Nihon Ongaku		12-13
Shakuhachi oto no kenkyu : shakuhachi oto no in osaguru		Fujita Shun'ichi	Nihon Ongaku		14- 15
Shakuhachi shiko [Thoughts on the History of the Shakuhachi]. 1975 reprint ed		Kurihara Kōta	Tokyo: Chikuyusha	1918
Shakuhachi shinko		Hayashi Kenzo	Yamato Bunka Kenkyu 5, no. 11 (1960): 1-15
Shakuhachi to sono doruitachi [Shakuhachi and Its Related Instruments]. In Descriptive Notes for LP recording Shakuhachi 1969 (SWS 3) by Hirose Ryohei		Koizumi Fumio	Nippon Crown	1969	14-15
Shakuhachi Zen: The Fukeshu and Komuso		James H Sanford	Monumenta Nipponica 32, no. 4. Pages 411-440	1977	32	English
Shakuhachi, shinobue no oto to naibu kozo no shomondai [On the Structure and Acoustical Characteristics of the Shakuhachi and the Shinobue]. In Nihon ongaku to sono shuhen, edited by Fumio Koizumi, Akira Hoshi and Osamu Yamaguchi		Yamakawa Naoharu	Tokyo: Ongaku no Tomosha	1973	271-287
Shakuhachi-Unterricht im fruhen 19. Jahrhundert: Juhachi jokuden, Die achtzehn Artikel des Kurosawa Kinko III [Shakuhachi Instruction in the Early 19th Century: Juhachi Jokuden, Eighteen Articles by Kurosawa Kinko III]. - In Lux Oriente: Begegnungen der Kulturen in der Musikforschung, Festschrift Robert Gunther zum 65. Geburtstag.		Andreas Fuyu Gutzwiller	Kassel: Gustav Bosse Verlag	1995	149-158
Shakuhachi. In Ongaku daijiten		Kamisangō Yūkō	Tokyo: Hebonsha	1982	1052-1063
Shakuhachi: Aspects of History, Practice and Teaching		Andreas Fuyu Gutzwiller	Master of Arts	1974	198	English
Shakuhachi: Shaping the Soul of Bamboo		Riley Kōho Lee	Kansai Action, Sept. 27	1974	pp. 1,5,14
Shakuhachi: The Voice of Nature - A contemplative art and a source of Japanese musical tradition (11 MB)		Elliot Weisgarber		2019	182	English
Shamisen kumiuta no kyokusetsu no hensen [Historical Evolution of Shamisen Kumiuta Melodies]. In Nihon ongaku to sono shuhen, edited by Fumio Koizumi, Akira Hoshi and Osamu Yamaguchi		Murai Yasuji	Tokyo: Ongaku no Tomosha	1973	505-506
Shichiku Kokin-Shu - Hitoyogiri and Strings, Then and Now by Kamiya Juntei (translated by Nick Bellando)	糸竹古今集	Nick Hoko Bellando	Nick Hoko Bellando	2019	128	English/Japanese
Shosoin ten mokuroku [Special Exhibition of the Shoso-in Treasures]. (Edited)			Nara: Nara Kokuritsu Hakubutsukan	1967
Simplicity as Complexity: Technicalities and Aesthetics of Japanese Musical Instruments and Music. (With Simura Satosi and Osamu Yamaguchi)		Tsukitani Tsuneko	Proceedings of the 1993 International Computer Music Conference 1993	1993	10-17
Sociological Significance of Historically Unreliable Documents in the Case of Japanese Musical Guilds. In Tradition and Its Future: Report of SIMS 1990 Osaka, edited by Yoshihiko Tokumaru, et al. Osaka, Japan: Mita Press		Ingrid Fritsch	Osaka, Japan: Mita Press	1991	147-152
Sokyoku danmono no kenkyu [A Study of Sokyoku Danmono]. In Nihon ongaku to sono shuhen [Japanese Music and Related Issues], edited by Fumio Koizumi, Akira Hoshi and Osamu Yamaguchi, 369-371. Tokyo: Ongaku no Tomosha		Hoshi Akira	Tokyo: Ongaku no Tomosha	1973
Some Aspects of the Kinko-ryu Notation including a Study of the Pattern-Units of Koku Reibo		Ralph Samuelson	Master of Arts, Wesleyan University	1971	187	English
Some Remarks on the Shamisen and Its Music. In Asian Musics in an Asian Perspective, edited by Koizumi Fumio, Tokumaru Yoshihiko and Yamaguchi Osamu		Tokumaru Yoshihiko	Tokyo: Heibonsha	1977	90-99
Source Materials of Music in Japan		Fukushima Kazuo	Fontes Artis Musicae 35, no. 2	1988	129-134
Stone Age and Promise Land: An Answer to James Reid		Andreas Fuyu Gutzwiller	Ethnomusicology 23, no. 1	1979	103-107
Stone and Clay Aerophones in Early Japan. In The Archaeology of Early Music Cultures, edited by Ellen Hickmann and David W. Hughes		Tsuge Gen'ichi	Bonn: Verlag fur systematische Musikwissenschaft	1988	89-96
Studying the Shakuhachi in the Tozan-Ryu		John Kaizan Neptune		1974	9	English
Sugagaki no kaigi [Explanation of Sugagaki]		Fujita Shun'ichi	Nihon Ongaku		10-11
Suizen : Chikuho ryu ni mirufuke shakuhachi no keifu [Blowing Zen: the Fuke Shakuhachi Lineage According to the Chukuho School]		Sakai Chikuho II	Tokyo: Nippon Columbia	1974	LP Sound Discs KX 7001-3
Syakuhati: Historical Instruments and Notation: An Interpretation. Lecture / Performance based upon the historical material housed at the Yakumo Honzin Memorial Foundation. Co-authored by Simura Satosi, Seyama Toru, Riley Lee and Yuking Tomoko.		Tsukitani Tsuneko	Syakuhati Kenkyukai		10	English
Symbolic Meaning of Cries in the Music of Noh		Tamba Akira	World of Music 20, no. 3	1978	107-115
Symbolic Techniques in Japanese Koto-kumiuta		Tsuge Gen'ichi	Asian Music 12, no. 2	1980	109-123
Taizan fu shui myoan sanjushichisei Tanikita Muchiku [Gleanings from the Taizan Scores of the Thirty-seventh Myoan (Patriarch) Tanikita Muchiku]. (Edited)		Inagaki Ihaku	Kyoto: Tanikita Renzao	1981
Take No Michi : A Newsletter of Shakuhachi and Related Arts. 1979-1981 (Edited)		Barry Kyuko Weiss	Brooklyn, NY: B. Weiss	1979
Taki otoshi [Falling Waterfall]		Tominomori Kyozan	Tokyo: Myoan Kyozanbo Doyukai	1975
Techniques and Spirit of Making the Shakuhachi: For an Understanding of the Two Spiritual Worlds in Existence Today. - In Der "schone" Klang: studien zum historischen Musikinstrumentenbau in Deutschland und Japan unter besonderer Berucksichtigung des alten Nurnberg, edited by Dieter Krickeberg.		Simura Zenpo	Nurnberg: Germanisches National Museum	1996	270-277
The Annals of the International Shakuhachi Society - Volume II		Dan E Mayers	The International Shakuhachi Society	2005
The Documentary Sources of Japanese Music		Fukushima Kazuo	Fontes Artis Musicae 43, no. 2	1996	177-193
The Encyclopedia of Musical Instruments: The Shakuhachi. (Edited with Kozo Kitahara)		Tanimura Ko	Tokyo: Tokyo Ongakusha	1990
The Heike Monogatari, The Shakuhachi Honkyoku, and Theories of Orality.		Riley Kōho Lee			15	English
The History of the Kyotaku		Tsuge Gen'ichi	Asian Music 8, no. 2	1977	47-63
The Honkyoku of the Kinko-Ryu: Some Principles of its Organization		Elliot Weisgarber	Ethnomusicology 12, no. 3	1968	313-344
The Interaction of Orality and Literacy in Structuring Syamisen Music. In The Oral and the Literate in Music, edited by Yoshihiko Tokumaru and Osamu Yamaguchi		Tokumaru Yoshihiko	Tokyo: Academia Music	1986	110-129
The Japanese Shakuhachi		William C. Rorick		1979	59	English
The Japanese Shakuhachi and Some Comparisons with Several Vertical Flutes of Southeast Asia; In Asian Musics in an Asian Perspective, edited by Koizumi Fumio, Tokumaru Yoshihiko and Yamaguchi Osamu		Richard Emmert	Tokyo: Heibonsha	1977	115-124
The Kinko Ryu Honkyoku: A Compilation & Translation.		John Singer	Unpublished Paper	1988
The Kinko-Ryu and its San Koten Honkyoku		Dr. Norman Yūshin Stanfield	Master of Arts, University of British Columbia	1977	294	English
The Kowata Suigetsu Collection of the San'in in Syakuhati Dozyo. In Historical Sources of Musicological Interest: Japan and Europe: Catalogue. (With Seyama, Toru)		Tsukitani Tsuneko	Osaka: Belgium Flanders Exchange Center	1990	8-16
The Oral and the Literate in Music. (Edited with Osamu Yamaguchi)		Tokumaru Yoshihiko	Tokyo: Academia Music	1986
The Shakuhachi - A Mini Thesis		Jonathan Wayne Crick			69	English
The Shakuhachi and the Kinko Ryu Notation		Donald Paul Berger	Asian Music 1, no. 2	1969	15, 32-57
The Shakuhachi Honkyoku as a Mahayana Buddhist Esoteric Practice		Bruce Huebner	Master of Arts, University of California, Santa Barbara	1989
The Shakuhachi of Jin Nyodo: A Collection of Classical Honkyoku. John Tedford Translator		Kamisangō Yūkō	The Japanese Music Society		77	English
The Shakuhachi: A Manual for Learning. (With Yuko Kamisango)		Christopher Yohmei Blasdel	Tokyo: Ongaku no Tomo Sha	1988
The Shakuhachi: Aesthetics of a Single Tone		Christopher Yohmei Blasdel	Japan Quarterly 31, no. 2	1984	214-217
The Shakuhachi: The Instrument and its Music, Change and Diversification. (Edited with Toru Seyama and Satoshi Shimura)		Tsukitani Tsuneko	Contemporary Music Review 8, no. 2. Pages 103-129	1994	58	English
The Single Tone - A Personal Journey into Shakuhachi Music		Christopher Yohmei Blasdel	Printed Matter Press	2005	167	English
The Sound of Enlightenment (John Kaizan Neptune)		Michael Soumei Coxall			30	English
The Sound of the Empty Bell: Zen Shakuhachi Playing: An Examination of Philosophy and Performance Practice		Karen Anke Braun	Master of Arts, University of York	1992
The Traditional Music of Japan		Kishibe Shigeo	Tokyo: Kokusai Bunka Shinkokai	1969
The World of a Single Sound: Basic Structure of the Music of the Japanese Flute Shakuhachi. (With Gerald Bennett)		Andreas Fuyu Gutzwiller	Musica Asiatica 6	1991	36-59
Toru Takemitsu		Wolfgang Laade	Indo Asia 12, no. 1	1970
Toward an Understanding of the Dynamics at Work in Koto Music. In European Studies on Japan, edited by Charles Dunn and Ian Nish		Peter Ackermann	Tenterden, Kent: Norbury	1979	212-219
Tozan ryu shakuhachi doyo kayo kyokushu [Anthology of Children's Songs for Tozan School Shakuhachi]. (Edited)		Suzuki Teizan	Tokyo: Kyorakusha	1985
Tozan-ryu: An Innovation of the Shakuhachi Tradition from Fuke-shu to Secularism (First half)		Takahashi Tone	Ph.D, Florida State University	1990	187	English
Tozan-ryu: An Innovation of the Shakuhachi Tradition from Fuke-shu to Secularism (Second half)		Takahashi Tone	Ph.D, Florida State University	1990	194	English
Tozanryu shakuhachi tsukai [Commentary on the Shakuhachi of the Tozan School]		Hiramatsu Ozan	Osaka: Maekawa Aimyo?	1924
Transmission and Recomposition in Japanese Min'yô: The case of "Aiya Bushi"		Gerald Groemer			78	English
Transmusicality: Mastering a Music from Another Culture		Bruno Deschênes	Croatian Musicological Society	2022	162	English
Tsuzoka shakuhachi koza kan'i no shakuhachi ..		Fujita Shun'ichi	Nihon Ongaku		5-6
Tsuzoka shakuhachi koza kisoku ho no ..		Fujita Shun'ichi	Nihon Ongaku		6-7
Tsuzoka shakuhachi koza kisoku no ... (II)		Fujita Shun'ichi	Nihon Ongaku		12-13
Tsuzoka shakuhachi koza meiso		Fujita Shun'ichi	Nihon Ongaku		9-10
Tsuzoku shakuhachi kogiroku		Fujita Shun'ichi	Nihon Ongaku		15-16
Tsuzoku shakuhachi koza		Fujita Shun'ichi	Nihon Ongaku		9-10
Western Influences on Japanese Music		Tanabe Hideo	Asian Pacific Quarterly 7, no. 4	1976	17-22
Yearning For The Bell: A Study of Transmission in the Shakuhachi Honkyoku Tradition		Riley Kōho Lee	Doctorate Dissertation, University of Sydney	1993
Zenshu no shomondai [Various Questions Concerning the Zen Sects]. (Edited)		Imaeda Aishin	Tokyo: Yuzankaku	1979

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